When I heard about The Bustles and Bonnets: Costume Blogathon being hosted by Paul at Silver Screen Classics and Gabriela at Pale Writer, celebrating costume dramas, I couldn’t wait to participate.
In recent years, I’ve developed a particular interest in costume design and have been reading up on various designers. Needless to say, I wracked my brain trying to decide which film I wanted to feature here, until I stumbled across The Toy Wife, a rather unknown pre-Civil War drama.
Based on the French play Froufrou written by Ludovic Halévy and Henri Meilhac, it was adapted for the American screen during the time when Margaret Mitchell’s Gone With the Wind was large in the public conscious and in the middle of being filmed. Warner Brothers’ answer to the popularity of Mitchell’s book was the release of Jezebel starring Bette Davis. MGM too wanted to capitalize on public interest with their own antebellum story and so Froufrou became The Toy Wife.
Set in New Orleans, The Toy Wife is the story of Gilberte Brigard (Luise Ranier), otherwise known as Frou Frou. Having been raised in France, she is finally returning home with her older sister Louise (Barbara O’Neil). Frou Frou is a shallow, silly girl despite the influence of her sensible older sister. Upon her return she meets two men; the dashing Andre Valliare (Robert Young) and George Sartoris (Melvyn Doulas), an upright, responsible man who is the secret desire of Louise’ heart. Continue reading “Classic Film Review – The Toy Wife (1938) for The Bustles and Bonnets Costume Blogathon”
This year I decided to keep track of my viewing stats a little differently. In the past, I only kept track of the new to me classic films in my tally. But for 2019 I chose to also include re-watches, newer films and television series. I continued to leave out television films from my total count. All told, I watched about 300 films and series which is quite a lot.
NEW CLASSIC FILMS – 143 Total
I continued on from last year in watching the films of Marlon Brando, Robert Mitchum and George Brent. I also actively sought out the films of Shirley Temple, Margaret O’Brien, Kay Francis, Greta Garbo, Jane Powell, Marion Davies and John Garfield. 2019 will also go down as the year I watched my first Elvis film.
Some of the more popular classics I finally made time for were Murder My Sweet, The Stranger, I Know Where I’m Going, Angel and the Badman, Ryan’s Daughter and Becket. Cleopatra was as much of a slog as I expected. However, I was happily surprised by great experiences with The Picture of Dorian Gray and Cat People. I had also put off watching the famous silent film The Big Parade but it completely wowed me! Continue reading “2019 Film Year in Review”
England’s King Charles II occupied the throne during a fascinating time in the nation’s history. During the English Civil War and Oliver Cromwell’s rule his father was beheaded and he was exiled. After Cromwell’s death Charles II returned to England as its’ king. Charles II reversed many of the rules implemented by Cromwell’s government. He also continued his father’s battle with the English Parliament. The years of his reign are known as The Restoration. Charles II: The Power and the Passion presents a portrait of this multi-faceted historical figure.
Charles II: The Power and the Passion is an apt title for this mini-series which splits its focus between Charles personal affairs and political battles. The first half of the series threatens to become mired down with a soap opera style approach to Charles relationships with his many mistresses. Barbara Villers is the most important and depraved of these, a woman who tries to leverage her influence of the king into political power. Helen McCrory gives a deliciously wicked and clever performance of Barbara. But I quickly grew tired of watching the king’s multiple sexual escapades.
Fortunately, the series eventually allows the king’s political battles to take center stage. This makes for a much more compelling and fascinating dramatic narrative.
For my full review of this surprisingly interesting mini-series starring Rufus Sewell, please follow me over to The Silver Petticoat Review.
I adore British historical series and am always on the lookout for ones I’ve not yet seen. So, it was by happy accident that I recently discovered The Indian Doctor streaming on Prime and Acorn TV.
Still recovering from a personal tragedy, Dr. Prem Sharma and wife Kamani decide to leave their home in India. Kamani encourages Prem to apply for a post in London. Instead they find themselves assigned to a small mining village in Wales.
The culture shock is immediate, both for the Sharmas and the villagers who are not expecting a foreign doctor. Nor do they expect the Sharmas to be so cultured and highly educated. Prem is content to stay in his new position. But the wealthy and well-connected Kamani has no desire to stay in a back-water town which has no appreciation for the finer things. Continue reading “Series Review – The Indian Doctor (2010-2013)”
There’s a saying that truth is often stranger than fiction. That certainly proved to be the case for the family of actress Ruth Wilson. Wilson plays the role of her own grandmother Alison Wilson in this short series. Mrs. Wilson is based on Alison’s marriage to the enigmatic British spy and author Alexander Wilson.
After twenty years of wedded bliss and two children, Alec unexpectedly dies in Alison’s arms. Alison is devastated by his death. She goes through the motions of comforting her sons and planning Alec’s funeral until she receives another unexpected shock. An older woman arrives on her doorstep to collect Alec’s belongings. She claims to be Mrs. Wilson.
Seeking answers, Alison tracks down Alec’s intelligence handler Coleman. Alison is adamant that Alec was divorced from the first Mrs. Wilson before marrying her. Coleman is not so sure. This leads Alison to question every thing she ever knew about their life together. Not only does she explore her own memories of her past with Alec, but she also begins her own investigation into Alec’s private and professional life. She is stymied at every turn by an agency who wants to keep Alec’s work secret. Nor does she receive any help by those who knew Alec personally. As she slowly uncovers her husband’s secrets, she discovers a man she barely knew.
Vanity Fair is arguably the crowning achievement of British author William Makepeace Thackeray. In it, he created perhaps the greatest anti-heroine in English literature, Becky Sharp. The name of the novel is an allusion to a place found in Pilgrim’s Progress where travelers’ find themselves lured in by a fascination of material things. It can also be read as a satire on English society of that time. Thackeray’s masterpiece has been adapted for both the big and small screen many times. But despite having seen two film versions, it is iTV’s recent adaptation which finally introduced me to the brilliance of Vanity Fair.
Vanity Fair follows the journey of two young ladies from their friendship at school, through a decade of their lives.
Becky Sharp and Amelia Sedley cannot be more different. Becky is orphaned and without fortune, but uses her education, charm and beauty to make the most of her paltry connections. Above all she desires financial security and the influence of social position. She has no conscience about how she achieves these things. In her ruthless betterment of self, Becky manipulates various members of the Crawley family, Amelia’s brother Jos and eventually the Marquis de Steyne. Though she eventually obtains her objectives, it comes at a higher price than she expects.
In contrast, Amelia is sweet-natured but passive and completely naïve to the true natures of those she loves best. Unlike Becky, her only real wish is to settle down with her fiancé George Osborn to a life of happy domesticity. William Dobbin an army captain and friend to George secretly assists her in gaining her heart’s desire. Like Becky, Amelia eventually realizes her dream, but it also comes at a high cost.
As these women navigate ambition, romance, war and disappointment they must eventually face the truth and consequences of their choices. They must also decide if they are willing to change.
Six years ago, to the outrage of her family and the delight of London gossips, Lady Helen Dehaven refused to marry the man to whom she was betrothed. Even more shockingly, her refusal came on the heels of her scandalous behavior: she and her betrothed were caught in a most compromising position. Leaving her reputation in tatters and her motivations a mystery, Helen withdrew to a simple life in a little village among friends, where her secrets remained hers alone.
For reasons of his own, Stephen Hampton, Lord Summerdale, is determined to learn the truth behind the tangled tale of Helen’s ruin. There is nothing he abhors so much as scandal – nothing he prizes so well as discretion – and so he is shocked to find, when he tracks Helen down, that he cannot help but admire her. Against all expectations, he finds himself forgiving her scandalous history in favor of only being near her.
But the bitter past will not relinquish Helen’s heart so easily. How can she trust a man so steeped in the culture of high society, who conceals so much? And how can he, so devoted to the appearance of propriety, ever love a fallen lady?Continue reading “Book Review – A Fallen Lady”
It is a time of great internal and political conflict in Korea. The nation is slowly losing it’s autonomy to it’s more power neighbor, Japan. The disintegration of Korea’s freedom and identity is hastened by the modernization forced upon it by American and Japanese influence. Compounding the problem is that many of Korea’s nobles are actively working against their homeland for their own personal benefit.
In the last several decades of the fifteenth century, a Byzantine princess is sent to Moscow to marry its’ Grand Prince Ivan III. Rome hopes that with her influence, the people of Russia will turn from their Orthodox faith to Catholicism. Instead the Princess Zoe changes her name to Sophia, and adopts the Russian language, faith and culture as her own.
As the wife of the man who history will name Ivan the Great, she is not entirely trusted by her adopted homeland. Those in power fear her foreign origins and influence over her husband. She becomes a point of conflict in the Russian court and the focus of court distrust and intrigues.
While Ivan and Sophia deal with these internal conflicts, there are also external ones which demand Ivan’s attention. Among these are issues of diplomacy and war among rival nations. The most dangerous of these is war against the Golden Horde led by the Grand Khan. Closer to home is the conflict with the Russian Republic of Novrogod who resist Ivan’s attempts to unify the various Russian principalities under the throne of Moscow. Continue reading “Foreign Film Friday -Sophia (2016) Russian Television Series”
She was referred to as “Soviet Sophia Loren” and “the most beautiful Kremlin weapon.” But who was the Red Queen? Was she the queen of the catwalk or a KGB agent seducing foreign diplomats? How did she manage to succeed and what was the price she had to pay? The life of Regina Zbarskaya, the most famous USSR, is full of mystery and drama.
In 1950’s Communist Russia, a family tragedy leaves Zoya Kolesnikova a stigmatized orphan. Leaving her home town, she heads to Moscow to escape her past. While there she adopts the name Regina. With the help of a benefactress, she reinvents herself through education and determination.
Initially she pursues her mother’s dream of becoming an accountant, but a chance encounter leads her into the world of fashion. Regina works hard not only to become a clothes model but also to overcome past mistakes. Eventually, she realizes success not only in Russia but also world wide. But past traumas still haunt her and a life of fame has its’ price. Continue reading “Foreign Film Friday -The Red Queen (2015)”