When I heard about The Bustles and Bonnets: Costume Blogathon being hosted by Paul at Silver Screen Classics and Gabriela at Pale Writer, celebrating costume dramas, I couldn’t wait to participate.
In recent years, I’ve developed a particular interest in costume design and have been reading up on various designers. Needless to say, I wracked my brain trying to decide which film I wanted to feature here, until I stumbled across The Toy Wife, a rather unknown pre-Civil War drama.
Based on the French play Froufrou written by Ludovic Halévy and Henri Meilhac, it was adapted for the American screen during the time when Margaret Mitchell’s Gone With the Wind was large in the public conscious and in the middle of being filmed. Warner Brothers’ answer to the popularity of Mitchell’s book was the release of Jezebel starring Bette Davis. MGM too wanted to capitalize on public interest with their own antebellum story and so Froufrou became The Toy Wife.
Set in New Orleans, The Toy Wife is the story of Gilberte Brigard (Luise Ranier), otherwise known as Frou Frou. Having been raised in France, she is finally returning home with her older sister Louise (Barbara O’Neil). Frou Frou is a shallow, silly girl despite the influence of her sensible older sister. Upon her return she meets two men; the dashing Andre Valliare (Robert Young) and George Sartoris (Melvyn Doulas), an upright, responsible man who is the secret desire of Louise’ heart. Continue reading “Classic Film Review – The Toy Wife (1938) for The Bustles and Bonnets Costume Blogathon”
England’s King Charles II occupied the throne during a fascinating time in the nation’s history. During the English Civil War and Oliver Cromwell’s rule his father was beheaded and he was exiled. After Cromwell’s death Charles II returned to England as its’ king. Charles II reversed many of the rules implemented by Cromwell’s government. He also continued his father’s battle with the English Parliament. The years of his reign are known as The Restoration. Charles II: The Power and the Passion presents a portrait of this multi-faceted historical figure.
After twenty years of wedded bliss and two children, Alec unexpectedly dies in Alison’s arms. Alison is devastated by his death. She goes through the motions of comforting her sons and planning Alec’s funeral until she receives another unexpected shock. An older woman arrives on her doorstep to collect Alec’s belongings. She claims to be Mrs. Wilson.
Vanity Fair follows the journey of two young ladies from their friendship at school, through a decade of their lives.
Six years ago, to the outrage of her family and the delight of London gossips, Lady Helen Dehaven refused to marry the man to whom she was betrothed. Even more shockingly, her refusal came on the heels of her scandalous behavior: she and her betrothed were caught in a most compromising position. Leaving her reputation in tatters and her motivations a mystery, Helen withdrew to a simple life in a little village among friends, where her secrets remained hers alone.
The events of this time are seen through the eyes of five young adults whose own personal backgrounds influence the way they react to Korea’s slow death. 
She was referred to as “Soviet Sophia Loren” and “the most beautiful Kremlin weapon.” But who was the Red Queen? Was she the queen of the catwalk or a KGB agent seducing foreign diplomats? How did she manage to succeed and what was the price she had to pay? The life of Regina Zbarskaya, the most famous USSR, is full of mystery and drama.