I had so much fun participating in Rick of Classic Film and TV Cafe’s Five Favorite Films of the Fifties blogathon last year. So when he chose to continue that theme again this year with 6 From the 60’s to celebrate National Classic Movie Day, I didn’t want to miss out.
I honestly thought narrowing down my choices for this year’s post would be much harder. After all, the Sixties are the decade of the romantic comedy. And indeed, a cursory glance at my list proves that my favorite genre is well-represented. Purely by chance, more than half of my choices were released in 1963. And I’ve also happened to fully review all but one of these.
But apart from the rom-com, it turns out that the Sixties, does not hold as many of my personal well-loved films as I thought it would. Still, there is much to love. Continue reading “6 From the 60’s – My Favorite Films of the Decade”
I’ve always considered myself a fan of the pre-war films. In particular, I love the movies of the 1930’s. In my mind, 50’s films are more gritty, less hopeful as well as dramatic. As a fan of comedies and happy endings, I’ve kind of put films from this decade in a box to avoid.
No one was more surprised than me however to discover how many 50’s pictures I’ve seen and actually loved. Talk about preconceptions! I didn’t think I could find enough films to participate in this blogathon. When in reality my problem is that there were so many great pictures, that it about killed me to keep this list at five. It was a tough job, but someone had to do it.
There were so many films that I really love. But for the most part my deciding criteria was linked to nostalgia. The five movies on my list are ones I grew up watching. I’ve seen them all countless times and love them for their familiarity, the sense that I get that I’m re-visiting old friends and that happy cozy feeling of remembering my childhood experiences with them. Those that just missed the cut include Ivanhoe, Cat on a Hot Tin Roof and To Catch a Thief. Painful, I tell you. Continue reading “5 Favorite Films of the 50’s Blogathon”
Blonde romantic-comediennes are a staple in Hollywood films. Names like Reese Witherspoon, Meg Ryan, Goldie Hawn, Carole Lombard and Jean Harlow immediately come to mind. And every single one of them is a talent with many popular rom-coms under their belts. However, perhaps none is so affiliated with this genre as Doris Day. She had what might be the best comedic run of any actress in film history beginning with her first romantic comedy It Happened to Jane in 1959 running through her last onscreen appearance in With Six You Get Eggroll in 1968.
I grew up watching the Rock Hudson and Doris Day trio of rom-coms. I absolutely adored them and still never get tired of watching them. Then I discovered her one outing with Cary Grant (who is a personal favorite) in That Touch of Mink. Next I fell in love with The Glass Bottom Boat, with co-star Rod Taylor, which I reviewed for last year’s Doris Day Blogathon.
Continue reading “Doris Day Blogathon – It Happened to Jane (1959)”
Pillow Talk introduced to the world for the first time, the popular, beloved pairing of Doris Day and Rock Hudson. It also re-invigorated the genre of romantic comedy.
Jan Morrow is an interior decorator who is living the dream in New York City, except for one major annoyance. She is stuck sharing a phone line with the egotistical, womanizing bachelor Brad Allen, a man Jan has never met. Brad is a Broadway song writer who works from home. He ties up their shared phone line at all hours with his multiple affairs. All of Jan’s efforts to regulate the use of the phone meet Brad’s mocking refusal.
One evening, purely by accident, Brad catches a glimpse of Jan while they are both out on separate dates. He is shocked to find that the woman he has been arguing with is actually not the plain prude he assumed she was. Knowing that Jan would never agree to date him, Brad concocts a false identity as a tourist from Texas and rescues her from her drunken date.
Jan is thrilled to finally meet a handsome man she feels she can trust and who treats her respectfully. As Brad and Jan spend time together, her attachment to “Rex Stetson” grows. While Brad is dating Jan using his alter ego, he also continues to pester Jan as himself over their shared phone line.
At the same time Jan continues to received marriage proposals from her wealthy client Jonathan Forbes. Jonathan is head over heels for Jan. When Jonathan discovers that his close friend Brad Allen is plying his tricks on the unsuspecting Jan, he decides to take action.
To read the full review, please follow me over to The Silver Petticoat Review.
The name of Doris Day is almost synonymous with the romantic comedies of the Sixties. In a ten year period from 1958 to 1968, she starred in over ten comedies with leading men like Clark Gable, Cary Grant, James Garner and Jack Lemmon among others. But of all her rom-com co-stars, she is best remembered for her three films opposite Rock Hudson. Even today, decades later, their names are irrevocably linked. Lover Come Back is the second of their three films together.
Carol Templeton and Jerry Webster have never met, but they work for competing advertising agencies in New York. Carol loves the creative challenge of her job. Jerry prefers to court potential clients with wining, dining and women.
When Carol loses a huge account to Jerry’s less than savory sales approach, she is enraged. She reports him to the advertising council and vows to do whatever it takes to win the next big potential account.
Though a thorn in his side, Carol isn’t Jerry’s only problem. His sniveling, neurotic friend, Peter Ramsey, who is also his boss has returned determined to take the reins of Jerry’s ad agency. Not to mention, one of the women he uses to lure in customers is threatening to spill his secrets if he doesn’t fulfill his promise of putting her on television. All of these challenges force Jerry into a creative, but risky solution with unintentional consequences. He creates a demand for a product which doesn’t exist!
In the meantime Carol is on the hunt to steal Jerry’s big account for a new product called VIP. In the process, she runs into Jerry, who she believes to be an important scientist, Dr. Linus Tyler. Once Jerry gets an eyeful of his female antagonist, he decides to play along. Because he knows she won’t give him the time of day as himself.
For the full review, please follow me over to The Silver Petticoat Review.
DORIS DAY COMEDIES
As I’ve mentioned many times on this site, screwball comedy is my favorite film genre. So, it wouldn’t be hard to guess that the Doris Day comedies of the late 1950’s and 1960’s also rank among some of my favorite comedies. Though, they aren’t labeled screwball, they do have many of the same elements.
Day’s comedies weren’t ground-breaking and were often silly. But, they were always quality pictures with great dialogue, costumes and talent. They featured Day along side popular leading men like Cary Grant, David Niven, James Garner, Jack Lemmon, Rock Hudson and Rod Taylor. Day’s comedies also gave her the opportunity to showcase the talent for which she first became a star -her voice. And while I am particular about musical films, her singing never becomes the focal point of the story, which is something I can appreciate.
Doris Day is probably best known for her three comedies opposite actor and friend Rock Hudson, with good reason. They had fabulous rapport onscreen. But as much as I love this pairing, there is another one which just edges them out in my mind. That is why today, I am focusing on one of her films with Rod Taylor, The Glass Bottom Boat. Continue reading “Doris Day Blogathon -The Glass Bottom Boat (1966)”
Mob mentality or its’ kinder term group think has always fascinated me. Maybe because we all grow up hearing the old reprimand, “If your friends jump off a cliff does that mean you have to?” at some point in our lives. Of course, the logical answer is no, and yet many times we find ourselves following the crowd or the trend without much thought. In it’s cruelest form mob mentality will find many normally decent people doing terrible things as part of a group that they would never consider doing by themselves. What makes us follow like sheep to the slaughter over the proverbial cliff?
Storm Warning is a black and white film from 1951 which touches on the reality of how mob mentality can corrupt even decent people.
Marsha Mitchell (played by Ginger Rogers) makes a brief stop in a small southern town to visit her sister Lucy Rice (played by Doris Day) and meet Lucy’s new husband. Before she even has a chance see her sister, she witness the murder of a journalist by a group of men in white robes. Continue reading “Classic Film Review -Storm Warning (1951)”