As an avid fan of classic films, one would think I would have discovered silent movies, long before I finally did. However, as someone who loves the nuances of language and appreciates great dialogue, I was under the mistaken impression that a silent picture couldn’t possibly hold my interest, especially for the length of a feature film.
God bless Buster Keaton, because he was the one who finally broke through the prejudices I had formed. Fortunately, my affinity for comedy was too great. I took a chance on this legendary comedian and watched his much praised film The General. I was enthralled and began to seek out all of his films I could find. This led me also to discover the other two comedians of the silent film comedy triumvirate, Charlie Chaplin and Harold Lloyd and then the genius shorts of Laurel and Hardy.
My first memorable experience with a silent romantic drama was Frank Borzage’s Lucky Star. I was dazzled by the narrative, the performances of Janet Gaynor and Charles Farrell, the cinematography. The fact that I could sit spell bound for almost two hours was proof that despite their differences from “talkies” silent films were just as powerful a story telling medium and just as addicting in entertainment factor.
Since then, I have continued in my personal discovery of silent films. I’ve sought out those by actors whose sound pictures I love, and also those whose popularity and success was greatest in film’s early decades. I’ve mostly watched silents featuring those with star power behind them; names like Norma Shearer, Pola Negri, Mary Pickford, Rudolph Valentino, Greta Garbo and John Gilbert among others. I’ve discovered pictures I love and those I didn’t (I’m looking at you Salomé and Battleship Potemkin).
I’ve learned a new appreciation for this art form that changed significantly with the advent of sound. And yet even now, I still sometimes find them intimidating, especially the longer ones. Which is why I’ve only recently watched The Big Parade and Wings and still haven’t seen most of Lillian Gish’s most successful pictures. But whenever I bravely venture back into the world of silent films, I’m rarely disappointed.
To celebrate this overlooked and oft misunderstood period in cinema, I want to share with you some of my favorite and more memorable discoveries; from pictures to actors and even a director. Continue reading “My Silent Film Favorites – 1920’s Centenary Blogathon”
Lucy Hill (Renee Zelweger) is the sole female executive for Munck Foods in Miami. Her career is her priority. When her boss mentions that one of their blue collar manufacturing plants needs some restructuring, Lucy volunteers. She is less than enthused however, when she learns that she will have to temporarily relocate to a small town in wintry Minnesota.
Day’s comedies weren’t ground-breaking and were often silly. But, they were always quality pictures with great dialogue, costumes and talent. They featured Day along side popular leading men like Cary Grant, David Niven, James Garner, Jack Lemmon, Rock Hudson and Rod Taylor. Day’s comedies also gave her the opportunity to showcase the talent for which she first became a star -her voice. And while I am particular about musical films, her singing never becomes the focal point of the story, which is something I can appreciate.
I have always been interested in biographies. I have read biographies about many of my favorite film stars. Over time, I have realized that I prefer the ones that focus on the individual’s personal background. While it is always interesting to learn about an actor’s career, who he worked with, why he chose certain projects, etc. I prefer it when those facts don’t overwhelm their actual story.