Lady Jane Everard cannot abide the new Earl of Hadley. The unmannered Scot is a menace to genteel ladies everywhere, what with his booming laugh and swishing kilt and endless supply of ‘ochs’ and ‘ayes.’ Jane wishes Lord Hadley would behave as an earl should and adhere to English rules of polite conduct.
Andrew Langston, the new Earl of Hadley, knows that the English aristocracy think poorly of his lowly Scottish upbringing. This is hardly new. History is littered with the English assuming the worst about Scotland. By living up to their lowest expectations, he is simply fulfilling his civic duty as a Scotsman.
Jane sees Andrew as an unmannered eejit. Andrew considers Jane to be a haughty English lady. But, as the saying goes, . . . opposites attract.
And what if beneath his boisterous behavior and her chilly reserve, Andrew and Jane are not nearly as different as they suppose? Can Scotland and England reach a harmonious union at last?
I’ve always been a fan of author Nichole Van, reading her books as soon as they are released. But I really think that Suffering the Scot is her best one yet. It is certainly going on my list of favorite reads this year. What an absolute delight this story is which perfectly blends history, romance, mystery and humor. Lest you think this is just some entertaining fluff, it also manages to slip some fairly deep wisdom in as well. Continue reading “Book Review – Suffering the Scot by Nichole Van”
Sometimes all the stars align just right and you get a thing of great beauty. Perhaps, that is how those involved in the making of To Catch a Thief felt. I doubt many pictures had a crew as simpatico as this one. Director Alfred Hitchcock admired both Grace Kelly and Cary Grant. He had worked with both actors several times, but never together. Kelly and Grant both appreciated the director. And thanks to this film, Kelly and Grant remained lifelong friends.
Matching the natural beauty of Grant and Kelly is the vibrantly magnificent views of the French Riviera where the film is set. Add in the fashionable, yet classic costumes designed by the award winning designer Edith Head and you have one of the most visually gorgeous films I’ve ever seen.
Grant is John Robie, a retired jewel thief living a comfortable life in the south of France, until a new round of burglaries is attributed to his alter ego The Cat. The local police believe that Robie has returned to his life of crime. To make matters worse, Robie’s former compatriots in the French Resistance share that believe. Robie decides the only way to clear his name is to catch the thief who is posing as him.
With the help of an insurance investigator, Robie begins shadowing those who might be targets of the jewel thief. His mission is complicated by American heiress Francie Stevens. Francie inserts herself into his life and constantly interrupts Robie’s private investigation. But Francie’s motives aren’t exactly what they appear to be. Engaged in dual games of cat and mouse, there is more at stake than Robie’s personal reputation.
Millions of people around the world adore the story of Anne of Green Gables. Thanks to L.M Montgomery’s series and numerous film and television adaptations, Anne, along with Matthew and Marilla Cuthbert, Diana Barry and Gilbert Blythe are so familiar as to almost be part of people’s lives.
When I learned that a prequel about Marilla’s early life was available, I was thrilled. At the same time, I was also anxious. When a story is beloved as Anne of Green Gables, one hopes that a new author can remain true to the original author’s voice and also to the characters themselves. This is not always guaranteed. But I am happy to say that Sarah McCoy’s Marilla of Green Gables managed to achieve the almost impossible.
ABOUT THE BOOK
Marilla of Green Gables takes us back in time before the arrival of a red-headed orphan. It introduces a thirteen year old Marilla, her twenty-one year old brother Matthew and their parents. Green Gables has just been built and Avonlea is the same small community we all know and love. Some of the family names will be familiar to Anne fans, proving that Avonlea residents run generations deep. We also meet Marilla’s new friend Rachel White, her Aunt Izzy and a young John Barry.
The book follows Marilla through her teenage years as she experiences change, tragedy and responsibility. The last third of the books skips ahead twenty years to show the main characters as adults. Although Marilla is the main character, we also experiences plenty of her brother Matthew and the future Rachel Lynde as well as the future father of Gilbert Blythe.
I’ve always considered myself a fan of the pre-war films. In particular, I love the movies of the 1930’s. In my mind, 50’s films are more gritty, less hopeful as well as dramatic. As a fan of comedies and happy endings, I’ve kind of put films from this decade in a box to avoid.
No one was more surprised than me however to discover how many 50’s pictures I’ve seen and actually loved. Talk about preconceptions! I didn’t think I could find enough films to participate in this blogathon. When in reality my problem is that there were so many great pictures, that it about killed me to keep this list at five. It was a tough job, but someone had to do it.
There were so many films that I really love. But for the most part my deciding criteria was linked to nostalgia. The five movies on my list are ones I grew up watching. I’ve seen them all countless times and love them for their familiarity, the sense that I get that I’m re-visiting old friends and that happy cozy feeling of remembering my childhood experiences with them. Those that just missed the cut include Ivanhoe, Cat on a Hot Tin Roof and To Catch a Thief. Painful, I tell you. Continue reading “5 Favorite Films of the 50’s Blogathon”
Today’s Topic: Page to Screen Freebie (Books that became movies/TV shows, movies that became books, great adaptations, bad ones, books you need to read before watching their movie/TV show, movies you loved based on books you hated or vice versa, books you want to read because you saw the movie or vice versa, etc.)
Hosted by: That Artsy Reader Girl
Sometimes having too many options does not work in my favor. It takes me forever to make a decision This week’s open ended prompt left me debating what I wanted to focus on. I considered listing my favorite book to film adaptations. Then, I thought about naming all the films which have inspired me to read classic literature, (I’m looking at you North and South, Little Women, The Scarlet Pimpernel and Phantom of the Opera). But in the end I decided to feature books or series that I would really love to see adapted for the screen. Continue reading “Top Ten Tuesday – Books or Series I Would Like to See Adapted for the Screen”
Tressa Harlowe’s father did not trust banks, but neither did he trust his greedy extended family. He kept his vast fortune hidden somewhere on his estate in the south of England and died suddenly, without telling anyone where he had concealed it. Tressa and her ailing mother are left with a mansion and an immense vineyard and no money to run it. It doesn’t take long for a bevy of opportunists to flock to the estate under the guise of offering condolences. Tressa knows what they’re really up to. She’ll have to work with the rough and rusticated vineyard manager to keep the laborers content without pay and discover the key to finding her father’s fortune–before someone else finds it first.Continue reading “Book Review -A Rumored Fortune by Joanna Davidson Politano”
When mentioning popular actresses of Hollywood’s Golden Age, Joan Crawford’s name is always in the mix. Though it has been said she relished her movie star status, that does not negate the fact that she also had talent. She may not have been one who preferred the work over the celebrity like her rival Bette Davis, but no one can deny she was dedicated to her career.
Crawford most often played modern women in dramatic films. Occasionally, she would step outside of her normal milieu. But she did seem most at home in dramatic roles. However, she was capable of more as she proves in the comedy They All Kissed the Bride.
Margaret Drew rules her world with an iron fist. This includes her family trucking business as well as the lives of her mother and sister. She exhibits little softness or human emotion, barking demands like an automaton whose sole concern is efficiency and a healthy profit margin. She further erases any hints of femininity in her choice of name, going by her initials M.J.
The current thorn in M.J’s side is writer Michael Holmes, whose former exposes have seriously impacted other companies’ bottom lines. M.J. is determined to use all legal avenues at her disposal to stop the publication of his book about her father.
When M.J meets a charming stranger at her sister’s wedding, she begins to experience strange emotions for the first time. Though she tries to ignore her physical reactions to this man who keeps popping up, she can’t completely control them. Matters are made worse when she discovers the man who makes her weak-kneed is actually Mike Holmes!
For his part Mike is intrigued by the challenge M.J. presents. Deciding she needs to be humanized, he alternately sweet-talks, goads and even bribes her at their every meeting. Can these two opposites find common ground?
Crawford is an odd choice in a role originally slated for Carole Lombard. But when Lombard died, the part was re-worked to better suit Crawford who donated her salary to the Red Cross in Lombard’s name.
The opening scenes of They All Kissed the Bride seem to present a familiar Joan Crawford, stiff hair to match her stiff personality. A real ball-buster. Before long however, it segues into a surprisingly charming comedy about a woman learning to accept all aspects of her nature, without viewing them as weaknesses.
Though I admire Crawford, she has never been a personal favorite of mine. Perhaps, because I prefer romantic comedies to dramas as a rule. However, she exhibits not only a softer side of the character, but also of herself as an actress in this film. I was surprised by how well she handled the comedic portions of the story. She even managed to make M.J.’s perplexity over her literal weak knees convincing. As she transforms from M.J. to Maggie (Mike’s name for her), she becomes downright endearing and appealing.
Supposedly, Crawford insisted on Melvyn Douglas being cast as her romantic interest in their fourth and final film together. It proves to be a wise choice. Douglas had a deft touch when it came to light comedy. Once again, he perfectly fills the role of a man with a creative temperament who finds himself intrigued by his uptight leading lady.
Mike Holmes has the potential to come across as selfish or a bully. However, Douglas is able to portray him as a man who doesn’t just challenge M.J. He also believes in her potential to be better. While he may take advantage of her at times, it is never with ill intent, but always for her benefit, though Maggie can’t always see that. Thanks to Crawford and Douglas rapport, I believed that these two opposites actually could attract.
But lest you think that Joan Crawford and Melvyn Douglas are the only attractions of this film, let me mention that they have a talented supporting cast. Old stalwarts, Roland Young and Billie Burke have important roles as M.J.’s right-hand legal advisor and her mother. Burke plays her usual flighty part, but with a surprising character twist towards the end. Then there is Allen Jenkins as a Drew Trucking employee, close friend and informant to Mike Holmes. Jenkins could occasionally over act his parts, but he is perfectly cast here. All the while he is giving Mike insider information on the company’s practices, he also unknowingly provides M.J. with first hand knowledge of her employee’s experiences with her rigid company rules.
Though They All Kissed the Bride will never be considered one of Joan Crawford’s best films, I would definitely consider it an under rated one. Giving her an opportunity to play both drama and comedy it proves that she is more versatile than she often gets credit for being.
Les Misérables is Victor Hugo’s fictional masterpiece of commentary on law versus grace and the power of redemption. It has been adapted for the screen several times. The latest adaptation is set to air on PBS very soon.
I was fortunate enough to see the stage play on Broadway and it is one of my favorite musicals. I’ve also seen the 1998 and 2012 feature films, which I thought fell a bit short of in capturing the soul of the story I saw on stage. When the opportunity arose to view the first big screen adaptation made, of course, I had to watch it to see how it compares.
Our tale is set in nineteenth century France. Jean Valjean receives an unjust prison term for a minor offense. It is while in prison he first comes into contact with the merciless Javert who eventually becomes a policeman.
After his release, he encounters a compassionate priest who challenges him to show the same mercy he has given Valjean. This changes the course of his life. Valjean assumes a new identity and leads an exemplary life. His financial success allows him to be generous with others, but from a distance.
Then another life-changing encounter occurs when Fantine, a young woman fired from his factory, dies and leaves her young daughter behind. At the same time the rigid Javert, has been searching for Valjean for a long time over another infraction of the law he loves so much. Valjean is barely able to escape with his new daughter Cosette. They head to Paris where they hide out for many years.
Years later a grown Cosette falls in love with the young revolutionary Marius. Marius’ group is under surveillance by none other than Javert. This brings Valjean and Javert into one last confrontation with a surprising ending.