Last year I had the honor of participating in the William Holden Third Golden Boy Blogathon. Although Holden has never been a personal favorite of mine, I’m so glad I did, because I discovered Dear Ruth, which is a delightful, lesser known rom-com. With such great luck, I decided to join in again this year, and chose another one of Holden’s lesser known comedies, Meet the Stewarts.
Although he is in love, Michael Stewart is reluctant to marry Candace Goodwin. You see, Candy comes from a wealthy family and Michael is strictly middle class. He worries about their financial compatibility and has real doubts as to whether Candy can stick to a budget. But Candy is insistent, so they marry only after her father vows to cut her off without a dime.
The Stewarts are blissfully happy, but challenges quickly arise when they must furnish their house. They go over-budget, but Candy assures Michael they can economize elsewhere. Little does he know that this is the beginning of a pattern in their marriage. Not only does Candy have no concept of how to manage money, but she has no practical house skills either. After a disastrous joint dinner with both of their families, it is also clear that neither family has much faith in their ability to make the marriage work. When the strains of real life finally catch up and overwhelm them, will they be able to stay together? Continue reading “William Holden Blogathon – Meet the Stewarts (1942)”
Blonde romantic-comediennes are a staple in Hollywood films. Names like Reese Witherspoon, Meg Ryan, Goldie Hawn, Carole Lombard and Jean Harlow immediately come to mind. And every single one of them is a talent with many popular rom-coms under their belts. However, perhaps none is so affiliated with this genre as Doris Day. She had what might be the best comedic run of any actress in film history beginning with her first romantic comedy It Happened to Jane in 1959 running through her last onscreen appearance in With Six You Get Eggroll in 1968.
I grew up watching the Rock Hudson and Doris Day trio of rom-coms. I absolutely adored them and still never get tired of watching them. Then I discovered her one outing with Cary Grant (who is a personal favorite) in That Touch of Mink. Next I fell in love with The Glass Bottom Boat, with co-star Rod Taylor, which I reviewed for last year’s Doris Day Blogathon.
Hollywood isn’t often noted for its’ successful marriages. However, writer Robert Riskin and actress Fay Wray were one of the exceptions. The two were married for thirteen years until his death parted them.
Their daughter is publishing the book Fay Wray and Robert Riskin: A Hollywood Affair. I am participating in The Fay Wray and Robert Riskin Blogathon honoring these two Hollywood stars and the book hosted by Aurora of Once Upon a Screen and AnnMarie at Classic Movie Hub.
One of the things I am always bemoaning about our modern films is the lackluster, disappointing dialogue. Classic films were full of snappy one liners, rapid fire conversations full of double entendres and attraction disguised as insults. They were witty and smart, but could also be cutting and sharp. It is rare to run across this verbal brilliance in new releases. Which is why I wanted to focus on Robert Riskin for the sake of this blogathon. Continue reading “Fay Wray and Robert Riskin Blogathon – Platinum Blonde (1931)”
Don’t you love a good fairy tale? I certainly do. But you can only watch so many versions of Cinderella or Beauty and the Beast. Sometimes a fairy tale with a new story and fresh perspective is needed. And that’s just what Penelope offers.
A long time ago, a witched cursed the Wilherns. The first daughter born into this wealthy family would be born with the face of a pig. The only way to break this curse is for her to be accepted by one of her own kind – a blueblood. After many generations of sons, Penelope becomes the unfortunate bearer of this cruel curse.
Ashamed of her daughter, Jessica Wilhern has hidden her away in the family home for most of Penelope’s life. But in recent years, she has been working with a professional matchmaker to find an aristocratic man willing to marry Penelope and break the curse. Edward Vanderman, the most recent man to reject the sweet natured “pig-girl” has teamed up with Lemon, a journalist holding a long-standing grudge towards Jessica. They hire Max Campion, a gambler they believe to be a fallen blue-blood. Max agrees to secretly snap a picture of Penelope for a pay-off thousands of dollars.
But Penelope is gun-shy and doesn’t show herself to Max right away. Instead he is forced to make multiple visits to the Wilhern mansion. With a one-way mirror between them, Max and Penelope develop a friendship through many conversations. However, the individual plans of Jessica Wilhern, Edward, Lemon and Max all go awry when Penelope finally decides to run away from everyone’s plans for her. What will happen to a girl who has lived in seclusion all her life, when she finally discovers the world? Can the curse truly be broken or will Penelope find another way?
To read the full review, please follow me over to The Silver Petticoat Review.
I love a good meet-cute. You know, it’ the moment where two characters meet for the first time. In most films, the meet cute sets the stage and the tone for all that is to follow. It immediately tells you what type of relationship the two characters will have as they get to know each other better. Some meet-cutes are in fact cute, others are antagonistic. Meet-cutes are actually one of my favorite moments in a film.
No matter what entertainment medium you favor, you can find family acting dynasties. The Fonda family is one which is well known to those who enjoy Hollywood films. Henry Fonda is the patriarch of this family of actors which includes his son Peter Fonda and grandchildren, Bridget Fonda as well as Troy Garrity. But it is Jane Fonda who I would like to focus on today.
Regardless what you think of her politics, Jane has made a name for herself outside the shadow of her father. With a career now spanning over five decades, fifty film credits, seven Oscar nominations (with two wins) she remains an active participant in the film community today.
Jane is also known for her many exercise videos, with her first one, Jane Fonda’s Workout becoming the highest-selling VHS ever. She has been married to a director (Roger Vadim), an activist (Tom Hayden) and a billionaire businessman (Ted Turner) and has two children. Continue reading “Fondathon – Sunday in New York”
After fifteen years of marriage and two children, Sergey and Olga have grown apart emotionally. Their life has become a matter of routine and duty. When Olga finds her husband’s profile on a dating website, she decides to connect with her husband using a false identity. Sergey quickly becomes enamored with the mysterious woman named Emma.
Meanwhile, in their real life Olga is torn over her husband’s “infidelity” but believes their marriage is worth saving. The more she reaches out to her husband, the more distant he becomes. However, her virtual identity as Emma gives her new insight and understanding into her husband while also exposing the failures in their marriage. The more Olga pretends to be Emma, the more “Emma” impacts Olga’s life. But when Olga finally regains her sense of identity, will she still feel her marriage worth saving? Continue reading “Foreign Film Friday – I Love My Husband (2018) Russian Series”
Have you ever watched a movie that took you by surprise? Perhaps, it turned your expectations on end? Or maybe, you went in knowing nothing about the film and found yourself responding to it rather strongly? Such was the case for me with Nurse on Wheels, a British comedy starring Juliet Mills, daughter of John Mills and sister to Hayley.
I grew up with the Disney films of Hayley Mills and hold very fond memories of them. It was for this reason alone that I took a chance when I saw Nurse on Wheels show up in the TCM schedule recently. I had never seen Juliet Mills in a film before and knew absolutely nothing about Nurse on Wheels. I expected I might like it, but didn’t guess that it would be my favorite film discovery of the year.
Johnny Rutledge (William Holden) is rootless bachelor who works for a traveling medicine show. When his employer is arrested, Johnny finds himself cooling his heels in a small town, while awaiting his employer’s release.
While out fishing he comes across a small cabin where the five young Chalotte siblings live. The oldest child confesses that his parents are dead and he is trying to keep the family together. Johnny feels sorry for them, but explains to young January that he can’t stick around to help. Past experiences have left him with a distaste for anything resembling roots or commitment. Still Johnny finds himself drawn to these children named after the months of the year. He also finds himself more and more intertwined in their lives.
I have always been a fan of romantic comedies. I can appreciate a good drama, mystery or even tragedy, but it is the romantic comedy which I found myself drawn to over and over again. Perhaps it’s because in a world of uncertainty and chaos, I love escaping into a film that can make me smile. I love knowing the ending will always be happy, even if real life isn’t.
Many classic film fans are familiar with some of the more famous examples of this genre. Titles like Bringing Up Baby, The Lady Eve, Pillow Talk, My Man Godfrey, His Girl Friday, It Happened One Night are instantly recognizable and re-watchable. But being a fan of classic rom-coms means I’m always on the lookout for unheralded, but just as enjoyable films. It’s always a risk watching a film I’ve not heard of before, but definitely well worth it when I discover a new favorite. I’d like to share some under-rated and lesser known classic rom-com films. Continue reading “Twenty of the Most Under-Rated Classic Romantic Comedies”