If you count only the new to me classic films I watched this year, I have seen just over 100 film titles. But once you add in foreign films, documentaries and new feature films, that number increases quite a bit. I marvel that I had enough time to watch so many movies! (Click on movie links for my reviews of these films.)
As mentioned I watched over 100 new classic films this year and that doesn’t include those which I have already seen more than once. Clearly, I love classic cinema. In 2017 I worked on filling in the gaps in filmography for Eleanor Parker, Rod Taylor and Alfred Hitchcock. I also managed to catch some of Carole Lombard and Audrey Hepburn’s earliest titles as well as watching several of Elizabeth Taylor and Richard Burton’s movies together. Continue reading “Film Year 2017 in Review”
Kaira is a talented, young cinematographer who is waiting for her big break. Luckily she has a good friend in Raghu, a fellow co-worker, who encourages her and looks out for her at work.
She also has a successful, loving boyfriend and a close-knit group of loyal friends. However, in spite of all of this, Kaira is a self-absorbed, emotionally distant woman who sabotages her relationships.
After dumping her boyfriend with the news that she slept with Raghu, she is given the opportunity to travel with Raghu to New York to work on a major film. But once again, her inability to trust and commit interferes with her life.
On a trip home, to visit her estranged parents in Goa, she overhears a speech by an unconventional therapist which prompts her to seek out help to deal with a past which has emotionally crippled her.
If you are under the mistaken impression that Indian films are all Bollywood musicals and women draped in saris, then Dear Zindagi will prove you wrong.
I watched this film with my sister and we both commented on how much it felt like an American film. Although it portrays the generational clash between the young, ambitious and modern Kaira and her more traditional parents, the viewer will be hard pressed to find any other traditional Indian stereotypes. Continue reading “Foreign Film Friday -Dear Zindagi (2016)”
A French film originally titled Bienvenue a Marly-Gomont, The African Doctor tells the true story of Seyolo Zantoko, a Congolese native and his struggles to serve as a doctor in a small French village in order to obtain French nationality and to expose his family to wider world.
The tale begins as Seyolo graduates from a French medical school. He is offered a prestigious job in his homeland of Zaire/Congo working for a corrupt government official. Despite the money and the perks attached to this position, he has heard instead of a small French village which has been seeking a doctor for its citizens for many years with no success. He decides to take this job in the hopes that it will allow him to become a French citizen. When phoning home with the good news to his wife and children, the family is thrilled due to the mistaken impression that his job is in Paris. Needless to say, they are all in for a shock when they arrive in France and find themselves feeling like fish out of water, in a very rural community which is not happy that their new doctor and his family are black foreigners. Continue reading “Foreign Film Friday -The African Doctor (2016)”