Pillow Talk introduced to the world for the first time, the popular, beloved pairing of Doris Day and Rock Hudson. It also re-invigorated the genre of romantic comedy.
Jan Morrow is an interior decorator who is living the dream in New York City, except for one major annoyance. She is stuck sharing a phone line with the egotistical, womanizing bachelor Brad Allen, a man Jan has never met. Brad is a Broadway song writer who works from home. He ties up their shared phone line at all hours with his multiple affairs. All of Jan’s efforts to regulate the use of the phone meet Brad’s mocking refusal.
One evening, purely by accident, Brad catches a glimpse of Jan while they are both out on separate dates. He is shocked to find that the woman he has been arguing with is actually not the plain prude he assumed she was. Knowing that Jan would never agree to date him, Brad concocts a false identity as a tourist from Texas and rescues her from her drunken date.
Jan is thrilled to finally meet a handsome man she feels she can trust and who treats her respectfully. As Brad and Jan spend time together, her attachment to “Rex Stetson” grows. While Brad is dating Jan using his alter ego, he also continues to pester Jan as himself over their shared phone line.
At the same time Jan continues to received marriage proposals from her wealthy client Jonathan Forbes. Jonathan is head over heels for Jan. When Jonathan discovers that his close friend Brad Allen is plying his tricks on the unsuspecting Jan, he decides to take action.
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The name of Doris Day is almost synonymous with the romantic comedies of the Sixties. In a ten year period from 1958 to 1968, she starred in over ten comedies with leading men like Clark Gable, Cary Grant, James Garner and Jack Lemmon among others. But of all her rom-com co-stars, she is best remembered for her three films opposite Rock Hudson. Even today, decades later, their names are irrevocably linked. Lover Come Back is the second of their three films together.
Carol Templeton and Jerry Webster have never met, but they work for competing advertising agencies in New York. Carol loves the creative challenge of her job. Jerry prefers to court potential clients with wining, dining and women.
When Carol loses a huge account to Jerry’s less than savory sales approach, she is enraged. She reports him to the advertising council and vows to do whatever it takes to win the next big potential account.
Though a thorn in his side, Carol isn’t Jerry’s only problem. His sniveling, neurotic friend, Peter Ramsey, who is also his boss has returned determined to take the reins of Jerry’s ad agency. Not to mention, one of the women he uses to lure in customers is threatening to spill his secrets if he doesn’t fulfill his promise of putting her on television. All of these challenges force Jerry into a creative, but risky solution with unintentional consequences. He creates a demand for a product which doesn’t exist!
In the meantime Carol is on the hunt to steal Jerry’s big account for a new product called VIP. In the process, she runs into Jerry, who she believes to be an important scientist, Dr. Linus Tyler. Once Jerry gets an eyeful of his female antagonist, he decides to play along. Because he knows she won’t give him the time of day as himself.
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DORIS DAY COMEDIES
As I’ve mentioned many times on this site, screwball comedy is my favorite film genre. So, it wouldn’t be hard to guess that the Doris Day comedies of the late 1950’s and 1960’s also rank among some of my favorite comedies. Though, they aren’t labeled screwball, they do have many of the same elements.
Day’s comedies weren’t ground-breaking and were often silly. But, they were always quality pictures with great dialogue, costumes and talent. They featured Day along side popular leading men like Cary Grant, David Niven, James Garner, Jack Lemmon, Rock Hudson and Rod Taylor. Day’s comedies also gave her the opportunity to showcase the talent for which she first became a star -her voice. And while I am particular about musical films, her singing never becomes the focal point of the story, which is something I can appreciate.
Doris Day is probably best known for her three comedies opposite actor and friend Rock Hudson, with good reason. They had fabulous rapport onscreen. But as much as I love this pairing, there is another one which just edges them out in my mind. That is why today, I am focusing on one of her films with Rod Taylor, The Glass Bottom Boat. Continue reading “Doris Day Blogathon -The Glass Bottom Boat (1966)”
Mob mentality or its’ kinder term group think has always fascinated me. Maybe because we all grow up hearing the old reprimand, “If your friends jump off a cliff does that mean you have to?” at some point in our lives. Of course, the logical answer is no, and yet many times we find ourselves following the crowd or the trend without much thought. In it’s cruelest form mob mentality will find many normally decent people doing terrible things as part of a group that they would never consider doing by themselves. What makes us follow like sheep to the slaughter over the proverbial cliff?
Storm Warning is a black and white film from 1951 which touches on the reality of how mob mentality can corrupt even decent people.
Marsha Mitchell (played by Ginger Rogers) makes a brief stop in a small southern town to visit her sister Lucy Rice (played by Doris Day) and meet Lucy’s new husband. Before she even has a chance see her sister, she witness the murder of a journalist by a group of men in white robes. Continue reading “Classic Film Review -Storm Warning (1951)”