Second only to Cary Grant, Clark Gable is my favorite actor. As such, I’ve made it a point to a watch as many of his films as I can. I had seen every one of his credited films with the exception of But Not For Me. As much as I wanted to be able to say I had seen all of his movies, I put off watching this particular title, because my expectations of it were very low. However, when the Clark Gable Blogathon rolled around this year, I knew now was the time to complete my exploration of Gable’s filmography. Fortunately for me, it was a better experience than I anticipated.
ABOUT THE FILM
After a long, successful career as a theater producer, Russ Ward is considering retirement. Because along with a string of hits, he also has a long list of expenses which include alimony to his ex-wife, a fancy apartment he has no time to enjoy and the renovation of a theater which is not likely to recoup his investment. His latest theatrical endeavor is foundering, thanks to his friend Jeremiah, a burned out, washed up, alcoholic playwright.
When he breaks the news to his long-suffering, faithful, young secretary Ellie, she decides to finally confess her love for him. Her earnest sincerity sparks Russ’ creative imagination. Using their relationship and her words, he convinces Jeremiah to re-write their play in a situation of art imitating life. Though Ellie is happy that she finally has Russ attention (and the leading role) all is not smooth sailing. Russ still has to manage Jeremiah’s reluctant come-back and his ex-wife’s financial demands and verbal zingers, while securing financing for the play. In addition, Ellie has her own admirer who is cast in the role of leading man on stage but who also wants to be leading man of her life. Continue reading “Clark Gable Blogathon – But Not For Me (1959)”
Sometimes all the stars align just right and you get a thing of great beauty. Perhaps, that is how those involved in the making of To Catch a Thief felt. I doubt many pictures had a crew as simpatico as this one. Director Alfred Hitchcock admired both Grace Kelly and Cary Grant. He had worked with both actors several times, but never together. Kelly and Grant both appreciated the director. And thanks to this film, Kelly and Grant remained lifelong friends.
Matching the natural beauty of Grant and Kelly is the vibrantly magnificent views of the French Riviera where the film is set. Add in the fashionable, yet classic costumes designed by the award winning designer Edith Head and you have one of the most visually gorgeous films I’ve ever seen.
Grant is John Robie, a retired jewel thief living a comfortable life in the south of France, until a new round of burglaries is attributed to his alter ego The Cat. The local police believe that Robie has returned to his life of crime. To make matters worse, Robie’s former compatriots in the French Resistance share that believe. Robie decides the only way to clear his name is to catch the thief who is posing as him.
With the help of an insurance investigator, Robie begins shadowing those who might be targets of the jewel thief. His mission is complicated by American heiress Francie Stevens. Francie inserts herself into his life and constantly interrupts Robie’s private investigation. But Francie’s motives aren’t exactly what they appear to be. Engaged in dual games of cat and mouse, there is more at stake than Robie’s personal reputation.
Though long gone, Judy Garland is still famous for her singing voice and her film musicals. Of her forty film credits, there are only three in which she does not sing or dance. The first of these three is The Clock and it proves that Judy was a talented actress in her own right, even without her musical skills.
Joe Allen (Robert Walker), a country boy turned soldier, arrives in New York City for a 48 hour leave. Immediately, he is overwhelmed by the hustle and bustled of the city and seeks to lessen the effect by making conversation with strangers. While taking refuge in the train station, an accident brings him and Alice Mayberry (Judy Garland) together. Though she has other plans, he convinces her to pass some time with him. Feeling compassion for this soldier Alice first allows herself to be talked into a walk in the park, then an afternoon at a museum and finally a dinner date. Alice’s roommate warns her not to fall under the spell of a man who will soon be shipping out.
Alice tries to resist and a few awkward moments and misunderstandings tempt her to abandon Joe. But neither one can deny a strong connection and many things in common. Despite differing plans for their futures, the pair find themselves in love. An accidental separation leaves them both desperate to find the other. Unfortunately, they haven’t even exchanged last names, so their odds of finding each other before Joe leaves the city are very low. By chance, they meet again and are so overjoyed and relieved that they decide to get married. But they have less than 24 hours to complete all the necessary steps so that a judge can marry them. And as Shakespeare wrote, “the course of true love never did run smooth.”
In The Sheik, Lady Diana Mayo is an aristocratic orphan visiting the African town of Biskra. With only her brother to guide her, she has become wild, independent and naively fearless. Diana plans an extended tour of the desert with no one other than a local guide to protect her. Her local fellow British aristocrats warn Diana about the dangers to a local single woman travelling alone, but they she ignores them.
The night before her departure, Diana visits a local casino. To her dismay, she is denied entrance because of a private party for a young sheik. In defiance, Diana disguises herself and sneaks into the casino. It is not long until she is discovered by the Sheik, Ahmed Ben Hassan. Though he expels her, she has also caught his eye. Diana finds him equally fascinating.
Not long after she heads into the desert, Diana and her guide are surrounded by what appear to be Bedouin warriors. But, as she soon discovers, it is Ahmed. He quickly abducts her, whisking her away to his desert camp. Ahmed has his own plans for Diana, but she refuses him at every turn. It is a battle of the wills and wits. The sheik is accustomed to immediate obedience but Diana is not about to surrender her independence.
Though, she attempts to escape, eventually Diana accepts her gilded prison. But she still refuses to yield her heart to Ahmed. Just when she finally comes to terms with her emotions towards the Sheik, she is kidnapped once again by a bandit with nefarious purposes in mind. This forces both Ahmed and Diana to face the truth about their relationship. Will the Sheik recapture both Diana and her heart?
Johnny Case is a self-made man who has been working since he was a child. On his first vacation in years, he meets and becomes engaged to the beautiful Julia Seton. Johnny is thrilled to have met a woman who he believes shares the same outlook on life as he does. Upon his return, he boasts of his luck to his good friends the Potters, before going to meet Julia’s family.
He is surprised when the taxi delivers him to a Fifth Avenue mansion. Thinking Julia must be employed by the owners, he goes to the back entrance. He experiences a further shock when he discovers that his new fiancée is one of THOSE Setons. Fabulously wealthy, socially connected, even their servants are haughty.
Johnny meets a kindred spirit in Julia’s older sister. Linda is chafing against the expectations and strictures of wealth and family expectation. She is thrilled with Julia’s choice of husband and offers her support for the couple in the face of Mr. Seton’s displeasure over their match.
Johnny and Julia wish to quickly tie the knot. But it doesn’t take much time to discover that Julia sees the world more like her rigid class-conscious father than her free-spirited fiancé. When Johnny expresses his desire to take time off to discover the meaning of life, things come to a head.
Idle Jean Howard wants to do her part for the war effort. Since there is a shortage of men, her father’s oil company has no salesmen. Jean volunteers for the job and despite her father’s resistance heads out onto the road to try to save some company accounts.
Although she gives it her best efforts in her cross-country sales tour, Jean has no success. She finally lands at the Black Hills Oil Co. where Earl “Slim” Clark agrees to listen to her pitch. But only if she wines and dines him first. Of course, Slim’s motives are suspect as it is clear he finds Jean extremely attractive. Jean agrees and heads out to look for a place to stay for the night
Unfortunately, Jean finds herself looking for accommodations in an overcrowded army base town. There is absolutely nothing available until a last minute cancellation secures Jean a reservation. The only problem is, the room available is in a motor court which only caters to married couples. So Jean, manages to coerce a lieutenant from the local base to register with her as her husband with the plan being that he can leave once she has checked into the room.
“Don’t forget, every Cinderella has her midnight.”
This quote perfectly sums up the title of the screwball comedy, Midnight.
In the opening scene, a train arrives in Paris with a glamorously dressed woman sleeping on a bench in one of the cars. Upon awakening, she arises, grabs her evening bag and steps off of the train into the rain with no luggage. Eve Peabody quickly explains to the porter that she left her belongings in a pawn shop in Monte Carlo.
As she leaves the train station, she is accosted by taxi drivers offering her a ride which she can’t afford. One in particular seems sympathetic to her plight, so she arranges a deal with him to drive her around town to look for a job. Once she secures one, she will pay him double the rate she owes.
After Tibor Czerny agrees and spends part of his evening helping her she is no closer to securing a job and the taxi meter is climbing higher. But Eve is in luck, because Tibor is kind and has fallen in love with her at first sight, even though she admits that her long-term plan is to marry wealth. She’s a charming and honest gold-digger. Continue reading “Classic Film Review – Midnight (1939)”
I recently watched Ocean’s 11 for the first time. No, not the version of recent years with Brad Pitt and George Clooney, but the original starring Frank Sinatra and members of The Rat Pack.
For those unfamiliar with Hollywood history, The Rat Pack was the name coined for a group of celebrity friends whose original members included Humphrey Bogart and wife Lauren Bacall, Judy Garland, David Niven, Spencer Tracy and long time love Katharine Hepburn, Cary Grant, director George Cukor and others.
Every now and then you come across a movie that just warms your heart and leaves you feeling as cozy and full as a plate of apple pie. This is one such film for me.
I’d Climb the Highest Mountain is a color film shot in location in the northern hills of Georgia which follows a newly married minister and his city wife who are assigned to this rural location in 1910. It is based on a (semi- autobiographical) novel by Corra Harris.
When Reverend William Thompson bring his new wife home to their first assignment she is eager yet unprepared for living in such an isolated area. This is a woman who not only doesn’t know how to cook, but also has her own doubts about her husband’s God. Yet, she makes every effort to contribute to her community and support her husband’s work.
Bill Thompson is the kind of man that almost no one could find fault with. He is generous with his time and resources, patient with his wife and wayward members of his congregation and yet he is not so perfect as to be annoying. No, he occasionally loses his temper, meddles in his neighbor’s business and even bets and races horses (although the bet is only to bring a lost sheep into the fold.) In other words, he’s the kind of minister I think many can relate to because he is human, as is his wife who never tries to camouflage her own failings. Continue reading “Classic Film Review-I’d Climb the Highest Mountain (1951)”
I feel like I’m one of the few people on the planet who had not seen this Hitchcock classic. To be honest, even though I’m working my way through Hitch’s films, I had put this one off The Birds because I was afraid it might be too scary. I do not do horror films and I do not like to be scared.
Just in case you are not familiar with the plot, wealthy Melanie Daniels played by Tippi Hedren (Melanie Griffith’s mother and Dakota Johnson’s grandmother) has a meet cute in a San Francisco pet shop with attorney Mitch Brenner who is portrayed by Rod Taylor. He plays a little trick on her in order to repay her for a prank she perpetrated against one of his clients. Strangely enough, they are both in the shop looking for birds.
This encounter intrigues Melanie enough to track down his name and address, drive out of town to his family home to retaliate. If Melanie’s behavior doesn’t creep out you a little, then don’t worry, the birds that begin to congregate in Mitch’s small town will.