While the history of the automobile begins a couple of decades earlier, the rise of mass production in the early 1900’s led to them becoming part of our every day lives. Another popular “product” was produced around the same time in 1904, a man who would eventually come to be known as Cary Grant.
Both Grant and the automobile are ubiquitous parts of international history. Autos are in-arguably a vital part of every day life, an industry which continues to grow and innovate. While Grant may not be as essential by comparison to our world today, he is still a very important part of our cultural history. Comparisons are still made to his talent, his style and his contributions to the film industry.
As someone who has long been obsessed with Cary Grant, it recently dawned on me how many of his movies contain a memorable scene with him in a vehicle. Almost all non-historical films contain vehicles as they were a part of every day life. But Grant’s films elevated them as more than just part of a scene. Instead they became an actual setting for action and dialogue to advance the story. Even closer notice reveals that many of the movies utilizing vehicles in this way are directed by Alfred Hitchcock. I’m sure there is a deeper analysis to be drawn here about Hitchcock’s particular use of cars in his pictures starring Grant, but that’s another article for another day.
In celebration of two great “products” of the past century, here are nine films featuring Cary Grant in vehicles. Continue reading “Driving with Cary Grant – Nine Grant Films Featuring Memorable Auto Scenes”
Sometimes all the stars align just right and you get a thing of great beauty. Perhaps, that is how those involved in the making of To Catch a Thief felt. I doubt many pictures had a crew as simpatico as this one. Director Alfred Hitchcock admired both Grace Kelly and Cary Grant. He had worked with both actors several times, but never together. Kelly and Grant both appreciated the director. And thanks to this film, Kelly and Grant remained lifelong friends.
Matching the natural beauty of Grant and Kelly is the vibrantly magnificent views of the French Riviera where the film is set. Add in the fashionable, yet classic costumes designed by the award winning designer Edith Head and you have one of the most visually gorgeous films I’ve ever seen.
Grant is John Robie, a retired jewel thief living a comfortable life in the south of France, until a new round of burglaries is attributed to his alter ego The Cat. The local police believe that Robie has returned to his life of crime. To make matters worse, Robie’s former compatriots in the French Resistance share that believe. Robie decides the only way to clear his name is to catch the thief who is posing as him.
With the help of an insurance investigator, Robie begins shadowing those who might be targets of the jewel thief. His mission is complicated by American heiress Francie Stevens. Francie inserts herself into his life and constantly interrupts Robie’s private investigation. But Francie’s motives aren’t exactly what they appear to be. Engaged in dual games of cat and mouse, there is more at stake than Robie’s personal reputation.
To see my full review, please follow me over to The Silver Petticoat Review.
Alfred Hitchcock is one of the most famous directors in film history. His name is synonymous with the suspense genre and very few people would not recognize it. HIs artistry and mastery are legendary. I’m not here to discuss the finer details or technical aspects of his films. I will leave that to those more knowledgeable. But I am a fan. While I’m still working my way through his filmography, I would like to share with you my personal favorites. Continue reading “The Alfred Hitchcock Blogathon -My Favorite Hitchcock Films”
WHO IS ALFRED HITCHCOCK?
Alfred Hitchcock earned his title as the Master of Suspense and it is one that he certainly deserves. Unlike other directors who worked in multiple genres, Hitchcock remained true to his preferred theme.
Whether directing gothic mysteries, international intrigues, courtroom dramas or thrillers, Hitchcock managed to titillate his audience with the tension inherent in the suspense of the unknown, feeding their fear with mystery.
Romantic tension is a recurring sub-theme. While usually not the focus, it is often the boiling undercurrent which adds to the overall suspense inherent to his films. Hitchcock does not display the contented happy side of romance, but rather the darker aspects of love and desire. He generally shows the male and female leads wrestling with a vital question and component of any relationship – trust, all while already finding themselves in murky circumstances.
I have seen a large number of Hitchcock films and have made a list of a few which highlight his view of romance. Hopefully, this will give a new perspective to Hitchcock’s title as the Master of Suspense. Here are five romantic films, Hitchcock style.
To see the list, please follow me here to The Silver Petticoat Review.
I feel like I’m one of the few people on the planet who had not seen this Hitchcock classic. To be honest, even though I’m working my way through Hitch’s films, I had put this one off The Birds because I was afraid it might be too scary. I do not do horror films and I do not like to be scared.
Just in case you are not familiar with the plot, wealthy Melanie Daniels played by Tippi Hedren (Melanie Griffith’s mother and Dakota Johnson’s grandmother) has a meet cute in a San Francisco pet shop with attorney Mitch Brenner who is portrayed by Rod Taylor. He plays a little trick on her in order to repay her for a prank she perpetrated against one of his clients. Strangely enough, they are both in the shop looking for birds.
This encounter intrigues Melanie enough to track down his name and address, drive out of town to his family home to retaliate. If Melanie’s behavior doesn’t creep out you a little, then don’t worry, the birds that begin to congregate in Mitch’s small town will.
Once the story has both Melanie and Mitch in the same place it gets to the gist of the plot which is basically a bunch of birds terrorizing an entire town. I’m not kidding, that’s the entire story in a nutshell. Continue reading “Classic Film Review -The Birds (1963)”