In my opinion, no one made better color musicals than MGM in the Fifties. It was during this decade that the studio released classics like Singin’ in the Rain, An American in Paris, Gigi, A Star is Born and Gentlemen Prefer Blondes. But one of my personal favorites is Seven Brides for Seven Brothers.
ABOUT SEVEN BRIDES FOR SEVEN BROTHERS
Millie is a young woman used to hard work. But she dreams of the day that she can invest all of her energy into loving a man and building a life together.
Adam Pontipee arrives in town after months in the mountains with his six brothers, Benjamin, Caleb, Daniel, Ephraim, Frank and Gideon. He is determined to find a wife to take back with him. After all, the Pontipee brothers need a woman to look after them and their needs. He is impressed with Millie’s backbone and willingness to work. Before she knows it Millie is swept off her feet, married and headed to her new life with her stranger husband.
But Millie and Adam have very different ideas about what their marriage should be. Not to mention, Millie’s presence in the Pontipee home prompts the other brothers to begin thinking of marriage themselves.
These “seven slumachy back woodsmen” may think they have found a woman to cook and clean for them. But little do they know Millie is about to reform them all.
For my full review, please follow me over to The Silver Petticoat Review.
Grace Kelly was a popular and talented actress beloved by her public. But she became even more loved by a larger public when she became the Princess of Monaco.
According to The American Film Institute, MGM decided to capitalize on Kelly’s relationship with Prince Ranier by casting her as Princess Alexandra in the film The Swan. They even co-ordinated the release date of the film with that of her wedding. Helen Rose who costumed Kelly for this film also created her famous wedding dress.Talk about a genius marketing move by the studio! Because of this, The Swan is a good example of life imitating art.
THE SWAN SUMMARY
Princess Alexandra is her family’s only hope of regaining their royal eminence, generations after losing their throne. Her desperate mother, Princess Beatrice hopes to marry her off to Crown Prince Albert, who is travelling Europe in search of a wife.
When Albert arrives for a brief visit, Beatrice does all she can to throw the two together. But Albert mistakes Alexandra’s awkward shyness as disinterest and coldness and undertakes to avoid her.
Distraught, Beatrice talks her daughter into publicly flirting with the family’s tutor, in an effort to make the Crown Prince jealous. But her plan backfires in ways she can’t forsee.
To read my full review, please follow me over to The Silver Petticoat Review.
Second only to Cary Grant, Clark Gable is my favorite actor. As such, I’ve made it a point to a watch as many of his films as I can. I had seen every one of his credited films with the exception of But Not For Me. As much as I wanted to be able to say I had seen all of his movies, I put off watching this particular title, because my expectations of it were very low. However, when the Clark Gable Blogathon rolled around this year, I knew now was the time to complete my exploration of Gable’s filmography. Fortunately for me, it was a better experience than I anticipated.
ABOUT THE FILM
After a long, successful career as a theater producer, Russ Ward is considering retirement. Because along with a string of hits, he also has a long list of expenses which include alimony to his ex-wife, a fancy apartment he has no time to enjoy and the renovation of a theater which is not likely to recoup his investment. His latest theatrical endeavor is foundering, thanks to his friend Jeremiah, a burned out, washed up, alcoholic playwright.
When he breaks the news to his long-suffering, faithful, young secretary Ellie, she decides to finally confess her love for him. Her earnest sincerity sparks Russ’ creative imagination. Using their relationship and her words, he convinces Jeremiah to re-write their play in a situation of art imitating life. Though Ellie is happy that she finally has Russ attention (and the leading role) all is not smooth sailing. Russ still has to manage Jeremiah’s reluctant come-back and his ex-wife’s financial demands and verbal zingers, while securing financing for the play. In addition, Ellie has her own admirer who is cast in the role of leading man on stage but who also wants to be leading man of her life. Continue reading “Clark Gable Blogathon – But Not For Me (1959)”
Sometimes all the stars align just right and you get a thing of great beauty. Perhaps, that is how those involved in the making of To Catch a Thief felt. I doubt many pictures had a crew as simpatico as this one. Director Alfred Hitchcock admired both Grace Kelly and Cary Grant. He had worked with both actors several times, but never together. Kelly and Grant both appreciated the director. And thanks to this film, Kelly and Grant remained lifelong friends.
Matching the natural beauty of Grant and Kelly is the vibrantly magnificent views of the French Riviera where the film is set. Add in the fashionable, yet classic costumes designed by the award winning designer Edith Head and you have one of the most visually gorgeous films I’ve ever seen.
Grant is John Robie, a retired jewel thief living a comfortable life in the south of France, until a new round of burglaries is attributed to his alter ego The Cat. The local police believe that Robie has returned to his life of crime. To make matters worse, Robie’s former compatriots in the French Resistance share that believe. Robie decides the only way to clear his name is to catch the thief who is posing as him.
With the help of an insurance investigator, Robie begins shadowing those who might be targets of the jewel thief. His mission is complicated by American heiress Francie Stevens. Francie inserts herself into his life and constantly interrupts Robie’s private investigation. But Francie’s motives aren’t exactly what they appear to be. Engaged in dual games of cat and mouse, there is more at stake than Robie’s personal reputation.
To see my full review, please follow me over to The Silver Petticoat Review.
I’ve always considered myself a fan of the pre-war films. In particular, I love the movies of the 1930’s. In my mind, 50’s films are more gritty, less hopeful as well as dramatic. As a fan of comedies and happy endings, I’ve kind of put films from this decade in a box to avoid.
No one was more surprised than me however to discover how many 50’s pictures I’ve seen and actually loved. Talk about preconceptions! I didn’t think I could find enough films to participate in this blogathon. When in reality my problem is that there were so many great pictures, that it about killed me to keep this list at five. It was a tough job, but someone had to do it.
There were so many films that I really love. But for the most part my deciding criteria was linked to nostalgia. The five movies on my list are ones I grew up watching. I’ve seen them all countless times and love them for their familiarity, the sense that I get that I’m re-visiting old friends and that happy cozy feeling of remembering my childhood experiences with them. Those that just missed the cut include Ivanhoe, Cat on a Hot Tin Roof and To Catch a Thief. Painful, I tell you. Continue reading “5 Favorite Films of the 50’s Blogathon”
John Wayne and Maureen O’Hara are one of the under-rated screen couples of classic cinema. Together they made five films, three of those with legendary director John Ford. One would think that three such stubborn, opinionated and temperamental people might find it hard to create such a charming, sentimental picture like The Quiet Man. But that is exactly what they accomplished.
After decades of living in the America, Sean Thornton is returning to his birthplace in the little villiage of Innisfree, Ireland. Most of the villagers are happy to welcome home a member of the Thornton family, with the exception of Will Danaher, the local squire. Sean and Danaher get off on the wrong foot after Sean purchases the little cottage where he was born out from under Danaher. Making matters worse, Sean also takes a liking to Danaher’s fiery-tempered sister Mary-Kate.
While the villagers welcome him, Sean must adjust to the Irish customs and traditions honored in Innisfree. Nowhere is this culture shock felt more than in his courtship of Mary Kate. Of course, Danaher refuses to make it easy for him. And Mary Kate runs hot and cold. But Sean is assisted by the local matchmaker Michaeleen Flynn, Father Lonergan and the Reverend Playfair in adapting to his home country and in winning Mary Kate’s hand.
For the full review, please follow me over to The Silver Petticoat Review.
Blonde romantic-comediennes are a staple in Hollywood films. Names like Reese Witherspoon, Meg Ryan, Goldie Hawn, Carole Lombard and Jean Harlow immediately come to mind. And every single one of them is a talent with many popular rom-coms under their belts. However, perhaps none is so affiliated with this genre as Doris Day. She had what might be the best comedic run of any actress in film history beginning with her first romantic comedy It Happened to Jane in 1959 running through her last onscreen appearance in With Six You Get Eggroll in 1968.
I grew up watching the Rock Hudson and Doris Day trio of rom-coms. I absolutely adored them and still never get tired of watching them. Then I discovered her one outing with Cary Grant (who is a personal favorite) in That Touch of Mink. Next I fell in love with The Glass Bottom Boat, with co-star Rod Taylor, which I reviewed for last year’s Doris Day Blogathon.
Continue reading “Doris Day Blogathon – It Happened to Jane (1959)”
Don’t you love it when you take a chance on a movie you’ve never heard of and end up loving it? Such is the case for me with Operation Mad Ball.
WWII may be over, but there is a group of men still stationed at an American medical base in France. Among these are Captain Lock (Ernie Kovacs) and his nemesis Private Hogan (Jack Lemmon). Lock is a by the book sort of Captain who is unpopular with the other enlisted men. Pvt. Hogan, however, is a man with a glib tongue and quick mind. He is well-liked by his fellow soldiers, especially for his attempts to make life more fun on the base.
Also stationed on base is a group of female nurses, many of whom are officers. When a fellow private falls for a nurse, Hogan uses it as an excuse to play Cupid, by planning a ball. However, this is easier said than done. The machinations the men go through to secretly secure the site and the resources rivals a legitimate complex military mission. This is complicated when the base’s commanding officer Colonel Rousch (Arthur O’Connell) starts planning his own party for the same night. Hogan also needs to continually keep one step of Lock who is determined to finally catch him breaking Army regulations. Continue reading “Classic Film Review – Operation Mad Ball (1957)”
Over the years, I’ve seen several movies starring Rock Hudson. The Douglas Sirk melodramas, comedies with Doris Day and the Texas epic Giant, among others. As much as I’ve enjoyed these films, it is always someone else’s performance which catches my eye. So when the opportunity arose to view Tarnished Angels I chose to watch it for Dorothy Malone. But then I got the surprise of my life – Rock Hudson can act!
Tarnished Angels is based on the novel Pylon by William Faulkner. According to Faulkner, it is the best film adaptation of all his works. Aside from perhaps Tennessee Williams, no one could write a Southern potboiler like this native author. As usual, certain plot points of the story were toned down for the screen due to the Code. The film reunited director Douglas Sirk with Rock Hudson, Robert Stack and Dorothy Malone two years after working together on Written on the Wind. Continue reading “Rock Hudson Blogathon -Tarnished Angels (1957)”
Don’t you love a good serendipitous moment? I wasn’t sure I would participate in this blogathon as much as I love the concept of it. The month of November is already pretty busy for me, and I wasn’t sure that I would have time to watch two films for one blogathon. But then I happened to watch a movie I wouldn’t have normally been interested in. I went into the viewing of She’s Working Her Way Through College knowing nothing at all about it, only to discover it is a loose musical remake of The Male Animal. Well, with the stars all aligned, I realized that now I HAD to participate in Phyllis of Phyllis Loves Classic Movies The Remade What? Blogathon!
The source of this story was a hit Broadway play written by James Thurber and Elliott Nugent titled The Male Animal. The basic premise of both films feature the trials of an underpaid and underappreciated English professor who teaches at a midwestern university. The university’s financial and spiritual reverence of the sports department is a thorn in the professor’s side. The professor believes some of the school’s resources should be shared with the education departments. He butts heads with the head of the school board over this. Continue reading “They Remade What?Blogathon: The Male Animal (1942) & She’s Working Her Way Through College (1952)”