Frances Hodgson Burnett wrote stories familiar and beloved to many, including Little Lord Fauntleroy, A Little Princess and The Secret Garden. All of these have been adapted for the screen. Not nearly as many are familiar with Burnett’s novel The Making of a Marchioness and its’ sequel The Methods of Lady Walderhurst. The former was adapted as a television film by ITV under the name The Making of a Lady.
The Making of a Lady stars Lydia Wilson as the impoverished but genteel Emily Fox-Seton. Orphaned at a young age, she has been forced to make her own way in the world. Gifted an education by her relatives, her options remain few. She has a difficult time maintaining steady employment to pay her rooming fare at a run-down but respectable boarding house. After being let go from her temporary job as a secretary to Lady Maria Byrne, she receives an unexpected offer from the Lady’s nephew, Lord Walderhurst.
In need of an heir, the older Marquess proposes a marriage of convenience. With very few options and despite wanting to marry for love, Emily accepts his proposal. Walderhurst soon introduces her as the mistress of his country home, where she is met by a less than hospitable staff.
Just as Emily and Walderhurst begin to grow closer, he decides to re-enlist in his old regiment and return to India. He instructs his dour but trusted butler, Mr Litton to look out for his new wife.
Shortly after his departure, Walderhurst’s cousin Alec Osborne and his Indian born wife Hester arrive with a letter from the Marquess requesting they also keep keep an eye on Emily. Despite prior inferences from both her husband and Lady Byrne about Alec’s character, Emily is thrilled to have some pleasant, young relatives around to keep her company and moves them into the house. But strange things begin occurring and Alec’s behavior becomes erratic. Is he a threat or is Emily imagining things?
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