When a group of strangers hear the confession of a dying man who leaves a mysterious clue about the whereabouts of a large sum of cash, they aren’t convinced he’s on the level. Yet, when they suspect each other of going after the money, they pause to discuss how to locate it and also how to split it when it’s found. Talks quickly break down and it becomes, “every man (and woman) for himself!”
Next thing you know, five different groups of people are racing to be the first one to find the dough, unaware that they are being tracked by the cops who have long wished to recover the money from a robbery case. Their attempts to beat each other out lead to the involvement of other strangers and motorists as well as crazy situations that quickly become destructive. Continue reading “The Umpteenth Blogathon – It’s A Mad, Mad, Mad, Mad World (1963)”
Despite ongoing life challenges and demands (or maybe because of them), 2021 turned out to be a good film and entertainment year for me. Or at least a prolific one as I watched just at 500 titles.
This year I worked my way through some of the Poirot films, re-watched the Narnia franchise and some of my old favorites from Disney. I also branched out a bit to give 1970’s-80’s films a try though I’m normally not a fan of their aesthetic. In other big news (to me anyway), I got the Hallmark channel back after a two year absence, right around the holidays. So I spent a lot of time at the end of the year catching up on all their Christmas films.
The big decision I made in 2021 was to focus on classic musicals which is a genre that is usually more miss than hit with me. And while it still isn’t my favorite, I’ve learned to appreciate it more. I’ve found I have a decided preference for the dancing performances over singing ones. Continue reading “2021 Film Year in Review”
It’s rather easy to rattle off the most well-known films of famous silver screen stars. And I’m rather glad those movies are still bringing attention to faces who are no long with us, but who contributed greatly to the popularity of moving pictures.
However, it would be a shame not to dig deeper into the filmography of these stars as there is much of their work that is just as deserving of attention. Some, because of the quality of the production and others simply for great entertainment value.
I confess to having little appreciation for the classics of literature. I often find the stories to be long-winded, moralistic and rather dreary. However, thanks to my high school English class (I won’t mention how many years ago) I was exposed to some of these revered tomes.
Nathaniel Hawthorne’s famous tale of adultery, The Scarlet Letter is one I had a very strong reaction to. To this day, I clearly remember how angry I felt reading about Hester Prynne and the price she pays for having a daughter out of wedlock. I couldn’t understand why she would spare the father of her child by keeping silent. Nor could I forgive the minister for allowing her to bear the shame and scorn of their Puritanical community alone. It gave me a great disgust of human nature and the level of hypocrisy it can sink to.
Needless to say, it’s not a story I have desired to revisit. However, as so often happens with me, a case of serendipity had me willing to watch what is considered the best of the film adaptations of Hawthorne’s novel. I’ve been intentionally delving more into the world of silent film. Recently I’ve read a handful of biographies of silent film stars which keep referring to Lillian Gish as one of the great actresses of that era. As it so happens, I also just recently watched Captain Salvation which starred Lars Hanson. When TCM decided to air The Scarlet Letter, which co-stars both Gish and Hanson in their first film together, well…I took it as a sign. Continue reading “Silent Film Review – The Scarlet Letter (1926) – The Silent Movie Day Blogathon”