During a summer holiday, a modern young woman from the city visits the countryside. While there, she strikes up an affair with a once happily married farmer. It’s a destructive affair, leading the farmer almost to the edge of personal and financial ruin. Not to mention the breaking of his wife’s heart.
As the end of summer nears, the home-wrecking mistress begs the farmer to follow her back to the city. When he mentions his wife, she darkly suggests it would be great if she could “get drowned.” Under her spell, the farmer agrees to take his wife out on the lake. Suspecting nothing, his wife’s happy to have a day out to herself with her husband. Until she sees the look in his eye. But, when it comes time to follow through, the husband’s tormented by the memories of his wife’s goodness and their happiness together.
Watching Sunrise actually brought to mind Proverbs’ warnings to a young man about the dangers of an evil woman. Although I’m sure Sunrise had different inspiration, in some ways, I felt like I was watching those biblical admonishments come to life.
To read my full review, please follow me over to The Silver Petticoat.
Pillow Talk introduced to the world for the first time, the popular, beloved pairing of Doris Day and Rock Hudson. It also re-invigorated the genre of romantic comedy.
Jan Morrow is an interior decorator who is living the dream in New York City, except for one major annoyance. She is stuck sharing a phone line with the egotistical, womanizing bachelor Brad Allen, a man Jan has never met. Brad is a Broadway song writer who works from home. He ties up their shared phone line at all hours with his multiple affairs. All of Jan’s efforts to regulate the use of the phone meet Brad’s mocking refusal.
One evening, purely by accident, Brad catches a glimpse of Jan while they are both out on separate dates. He is shocked to find that the woman he has been arguing with is actually not the plain prude he assumed she was. Knowing that Jan would never agree to date him, Brad concocts a false identity as a tourist from Texas and rescues her from her drunken date.
Jan is thrilled to finally meet a handsome man she feels she can trust and who treats her respectfully. As Brad and Jan spend time together, her attachment to “Rex Stetson” grows. While Brad is dating Jan using his alter ego, he also continues to pester Jan as himself over their shared phone line.
At the same time Jan continues to received marriage proposals from her wealthy client Jonathan Forbes. Jonathan is head over heels for Jan. When Jonathan discovers that his close friend Brad Allen is plying his tricks on the unsuspecting Jan, he decides to take action.
To read the full review, please follow me over to The Silver Petticoat Review.
For the second year in a row, I am happy to be participating in The Reel Infatuation Blogathon. Hosted by Silver Screenings and Font and Frock, this blogathon is all about film, television or book character crushes.
YOU’VE GOT MAIL
In You’ve Got Mail Kathleen is the owner of New York City children’s bookstore, The Shop Around the Corner. Kathleen is the second generation owner of the store inherited from her mother. The Shop Around the Corner is not just a business to Kathleen, but also home to all of her happy childhood memories with her mother. It is also a beloved neighborhood institution, where the customers and employees are treated like family. Kathleen’s life revolves around her shop. Her secret correspondence with online pen pal NY152 provides her an outlet where she can share her dreams and fears not just about the shop, but also her life.
When “the big, bad, Fox Books” chain arrives in the West Side, it threatens the livelihood Kathleen’s store. On the advice of her anonymous pen pal NY152, she decides to fight a public relations battle with Joe Fox of Fox Books, for the survival of her business. Continue reading “Reel Infatuation Blogathon -Kathleen Kelly of You’ve Got Mail”
Bob Rueland is still mourning the loss of his wife and childhood sweetheart. To honor her memory, he is working to complete a project which was close to her heart, a new gorilla habitat at the Chicago zoo. But otherwise, Bob is stuck in his grief, hiding from life until a chance meeting with waitress Gracie Briggs lights a new spark in him.
Gracie is just now beginning to live after a recent heart transplant gave her new lease on life. Though she is still helping in her grandfather’s restaurant, she is practicing the art of small pleasures through her painting, gardening and close knit relationships. Gracie is attracted to Bob, but is extremely sensitive about both the physical and emotional scars of her past health issues.
As Gracie and Bob grow closer, their relationship grows and motivates their own personal growth. They recognize a kindred spirit in each other. But unbeknownst to either of them, there is something else which links them together. And when this link is finally revealed, they must both decide if love is more powerful than grief.
For the full review, please follow me over to The Silver Petticoat Review.
Norma Shearer wasn’t known as the Queen of MGM without reason. Before she married the studio’s head of production, Irving Thalberg, she had proven herself as a talented actress in her own right. Undeterred by criticism and rejection, she clawed her way into a successful career through sheer determination, persistence and discipline. Before Madonna, Shearer was a pioneer in reinventing her image. She a was woman who didn’t take no for an answer and who refused to let anyone else shape her public image. Sadly, she is not as well known today as other classic Hollywood film stars, which is a real shame. Because she is a powerful female role model even now, despite the misconception that she rode her husband’s coat tails to success.
Robert Montgomery has always been one of my favorite actors. His early years of comfort followed by loss gave him the strength and emotional tools needed to make a good actor. Montgomery has never been listed among the acting greats. I believe part of the reason he is excluded from that club is the lack of great parts that really allow him to shine. We see glimpses of it in his films The Big House, The Night Must Fall, They Were Expendable among others. But no one can deny that he was a solid, dependable, capable actor who played opposite some of the greatest leading ladies of the day. Continue reading “Dynamic Duos Blogathon -Norma Shearer & Robert Montgomery.”
The name of Doris Day is almost synonymous with the romantic comedies of the Sixties. In a ten year period from 1958 to 1968, she starred in over ten comedies with leading men like Clark Gable, Cary Grant, James Garner and Jack Lemmon among others. But of all her rom-com co-stars, she is best remembered for her three films opposite Rock Hudson. Even today, decades later, their names are irrevocably linked. Lover Come Back is the second of their three films together.
Carol Templeton and Jerry Webster have never met, but they work for competing advertising agencies in New York. Carol loves the creative challenge of her job. Jerry prefers to court potential clients with wining, dining and women.
When Carol loses a huge account to Jerry’s less than savory sales approach, she is enraged. She reports him to the advertising council and vows to do whatever it takes to win the next big potential account.
Though a thorn in his side, Carol isn’t Jerry’s only problem. His sniveling, neurotic friend, Peter Ramsey, who is also his boss has returned determined to take the reins of Jerry’s ad agency. Not to mention, one of the women he uses to lure in customers is threatening to spill his secrets if he doesn’t fulfill his promise of putting her on television. All of these challenges force Jerry into a creative, but risky solution with unintentional consequences. He creates a demand for a product which doesn’t exist!
In the meantime Carol is on the hunt to steal Jerry’s big account for a new product called VIP. In the process, she runs into Jerry, who she believes to be an important scientist, Dr. Linus Tyler. Once Jerry gets an eyeful of his female antagonist, he decides to play along. Because he knows she won’t give him the time of day as himself.
For the full review, please follow me over to The Silver Petticoat Review.
Newly minted college graduate and first time teacher Anne Leeds answers an advertisement for a part time evening job. Her intelligence and determination impress Rocco, the owner of a New York city night club. So Rocco hires her as his secretary, despite the fact that her prim innocence isn’t exactly the best fit for her new environment.
Anne is definitely a fish out of water and paired with her inexperience, she is not instantly popular with her new co-workers. Rocco’s business partner Tony Armotti takes a particular dislike of her and for Anne the feeling is mutual. Though, the womanizing Tony tries to get her fired, Rocco’s protective instincts keep her employed.
Slowly, Anne begins to win over the other employees of the night club with her sincerity and helpfulness. She even wins the grudging respect of Tony. Just when Anne is starting to feel at home in her job, she makes the mistake of falling for Tony which makes it difficult if not impossible for them to work together. Continue reading “Classic Film Review -This Could Be the Night (1957)”
The character of Simon Templar debuted in a series of books first published in the 1920’s and running through the 1980’s. There have been many film and television adaptations, but my favorite is this film version from the nineties.
Raised in an orphanage, young John Rossi renames himself after his childhood heroes, the Templar Knights. While there he develops a unique set of skills, but also witnesses a tragedy which haunts him.
As an adult Simon Templar is a thief who uses his skills for his own benefit and the highest bidder. In his line of work, he changes his appearance as often as his identity and his name. Simon is personable and clever, but forms no attachments and calls no place home. Determined to see his bank account reach a comfortable fifty million dollars, before he retires, he takes one last job. Unfortunately, it happens to be for the Russian billionaire, Ivan Tretiak. On a previous job, Simon had a run-in with Tretiak’s son Ilya, whom he left with disfiguring facial scars.
Tretiak hires Simon to steal a formula for clean, inexpensive energy. This formula is a scientific breakthrough developed by the English scientist Emma Russell and her late father.
Simon is surprised to find that Emma is not what he expected. Though she is a brilliant scientist, she is also rather naive and a romantic at heart. Simon determines the best and safest way to steal the formula is to seduce her. But in the process, he is charmed by her innocence and her willingness to release her formula publicly, instead of selling it for a profit. When Tretiak threatens Emma’s life, Simon is forced to make a decision. And when Emma discovers Simon’s secret, she puts herself in danger to confront him.
For my full review, please follow me over to The Silver Petticoat Review.
William Holden is not an actor I pay much attention too. Though I’ve seen many of his films, I usually watch them due to interest in his co-stars more so than him.
But when The Wonderful World of Cinema, The Flapper Dame & Love Letters to Old Hollywood announced a blogthon in his honor which just happens to coincide with his 100th birthday, I decided now is the time for me to take another look at William Holden. Luckily, TCM is also celebrating Holden this month and airing many of his movies.
The Wilkins family is your typical American family. Traffic cop judge Harry Wilkins (Edward Arnold) shares a happy and balanced marriage with wife Edie (Mary Philips) and their two daughters Ruth (Joan Caulfield) and Miriam (Mona Freeman). The only conflict in their household generally arises from teenaged Miriam’s passion for political causes. Not to mention her general meddling in the lives of her family members. For her part, Ruth is a mature young woman, ready to settle down to marriage and a home of her own with her long term beau, Albert. Continue reading “William Holden Blogathon -Dear Ruth (1947)”
François and Thérèse are happily married with two young children. During the week Francois works as a carpenter for his uncle and on the weekends the young family enjoys exploring the nearby countryside. Their life is full of bonheur (happiness) , perhaps even idyllic.
But then François meets Émilie to whom he is instantly attracted. It’s not long before they being an affair, even though she knows that he is married. François seems to believe that his affair with Émilie is not subtracting from what he has with his wife. He doesn’t love Thérèse any less. Instead, his love with Émilie only adds to his overall happiness. But when, he finally confesses to his wife about the relationship and his viewpoint, tragedy ensues. Continue reading “Foreign Film Friday -Le Bonheur (1965)”